Wednesday, April 8, 2026

Jazz-Funk DJ Mix Tape [Part 1] (mixed by DJ Andre Tejeda)

๐ŸŒŸ This mix opens with the primal heartbeat of Apache — a percussive force carved out of stone, instantly setting the tone with raw Tribal energy. Soul Makossa follows with its hypnotic chant and rolling groove, deepening the pulse and pulling the mix into a tighter, more focused rhythm.

๐ŸŽถ The sound widens into the golden era of Jazzy funk. Rock Creek Park glides in with effortless cool, and Chameleon (Part 1) shifts the room into Herbie Hancock’s electric universe — all synth swagger and late‑night tension. Deodato’s Also Sprach Zarathustra lifts the mix into cosmic territory, a bright, orchestral burst that melts perfectly into the smooth ascent of Herb Alpert’s Rise.

๐ŸŒ€ Chuck Mangione’s Give It All You Got keeps the momentum warm and melodic, a breezy glide before the floor drops into the deep thunder of Stratus. Billy Cobham’s drums erupt like a storm engine, pivoting the mix from Jazzy elegance into Funky grit. That energy snaps into place with the razor‑tight discipline of Monaurail, where The JB’s lock the pocket with surgical precision.

๐ŸŽง Bobbi Humphrey’s Harlem River Drive brings the brightness back, a flute‑driven cruise through sunlit streets, setting up the muscular punch of Soul Power ’74 — a cut that hits with pure Funky authority. The energy climbs higher as Maria Fumaรงa bursts in with Brazilian NRG, all horns, color, and forward motion.

๐Ÿ”ฅ Then the mix reaches its peak. Pleasure’s Joyous explodes with full‑band celebration — guitars, horns, and rhythm section all firing at once — followed by Tom Browne’s Funkin’ for Jamaica, a smooth, confident glide that keeps the room glowing. Idris Muhammad’s Turn This Mutha Out pushes the mix into its final sprint, and Sir Joe Quarterman’s So Much Trouble In My Mind closes everything with gritty, street‑level funk that refuses to fade quietly.

Every cut you hear was built in my studio. Full story:
From Razor Blades to Right-Click: A DJ’s Path from Analog to Infinite Undo

Explore the Music News & Discussions threads (including my track insights):
Music News & Discussions

Saturday, January 24, 2026

1981 DJ Mix Tape [Part 1] (mixed by DJ Andre Tejeda)

๐ŸŒŸ 1981 opens with Carl Carlton’s “She’s A Bad Mama Jama” — a strut in audio form, the kind of confident sparkle that instantly sets the room’s temperature. Teena Marie’s “Square Biz” follows with electric charm, snapping the mix into motion with her signature blend of funk, jazz, and fearless personality.

๐ŸŽถ Lakeside widens the groove with “Fantastic Voyage,” pure early‑80s escapism, before The Gap Band hits with the unmistakable swagger of “Burn Rubber.” Rick James seals the warm‑up arc with “Give It To Me Baby,” a polished blast of funk that locks the floor into place.

๐ŸŒ€ Earth, Wind & Fire lift everything into neon air with “Let’s Groove,” and Prince sharpens the edge with “Controversy,” pushing the mix into the magnetic crossroads where 1981 lived. Bar‑Kays and One Way keep the energy tight and muscular, a seamless pulse of early‑80s club electricity.

๐ŸŽง Tom Tom Club cracks the mix wide open with “Genius of Love,” setting up Blondie’s “Rapture” to glide effortlessly between hip‑hop, new wave, and pop. Springsteen’s “Hungry Heart” adds a burst of radio‑bright Americana before the late‑night climb begins.

๐ŸŒ€ Gino Soccio, Change, Nick Straker Band, Frankie Smith, and Fantasy close Part 1 with glossy precision, bounce, and a triumphant finale — the kind of run that leaves the room glowing long after the last note fades.

Every cut you hear was built in my studio. Full story: From Razor Blades to Right-Click: A DJ’s Path from Analog to Infinite Undo

Explore the Music News & Discussions threads (including my track insights): Music News & Discussions